Friday 18 November 2011

Resit- inital Ideas Through Final Stage


Basics:My group wanted to create a short film opening for a psychological thriller that
would leave the audience wanting to watch the rest of the film and eager to learn the enravelling story.
Storyline / Characters:Our storyline was originally about a high classed family of a mother, father and one child of young daughter. It included children all over the UK going missing and it not being explained, with then the young daughter becoming the next victum with the family then trying to find out what happened. we then changed this storyline, because of casting issues we changed the father character to a teenage brother. we then also then added a reason to why the children were going missing we added a element of religon, which would then unravel within the film.

Resit - Inital Ideas


Here I wrote about my inital ideas for my film opening I included
  • Locations and settings
  • Characters
  • Content of Film Opening
  • Storylines
I wrote what I thought about these topics and plan on expanding my ideas.

Resit - Moodboard of Typical Audience member

Here I created a moodboard in order to show the target audience through images I wanted to show there is a range in ages over 15. I also wanted to make it clear it is for both males and females and that the target audience works well with the film opening.

Tuesday 15 November 2011

Resit Evaluation Questions:

Evaluation Question One:



Evaluation Question Two:





Evaluation Question Three:

Evaluation Question Four:


Evaluation Question Five:

Evaluation Question Six:
Blue Productions Question Six

Evaluation Question Seven:

Monday 14 November 2011

Resit- Target audience


For our film we decided to give our film a 15 certification.
This means no-one younger than 15 may see a ‘15’ certified film in a cinema and no-one under the age of 15 may rent or buy a ‘15’ rated video work.We have chosen this as it will allow us to incorporate the required aspects of our genre such as the horror and psychological thriller.  A 15 allows a strong threat and menace unless sadistic which is what we are aiming for and dangerous behaviour. We may also look at using strong language at times in the piece and a 15 rating allows us to do this as long as it isn’t repeated.


Our film is a psychological thriller which is aimed at a British audience of whom are interested in mystery and horror.We are targeting the class groups B through to E, people of middle management, creativeness and teachers down to students and casual workers as all of these will be able to relate to our film.
Our film is based on a topic that is frequently brought up in the news which makes it easier for the variety of different demographic groupings to relate to the film. We are aiming our film at both men and women of about 15 years and above (as our film has a 15 certificate) as there isn’t anything to single out either men or women, the film depicts both genders equally.

Here is three films from my genre that have given me there target audience, release dates and figures to do with the films:

Usual Suspects (1995)
Budget $6,000,000 est.
UK box office gross £2,503,343
12/09/2005
Certificated 18

The Butterfly Effect (2004)
Budget $13,000,000 est.
UK box office gross  On opening weekend £735,287 (276 screens)
Certificated 15

Inception (2010)
Budget $160,000,000 est.
UK box office gross on opening weekend £5,919,814 (452 screens)
Certificated 12A

Wednesday 9 November 2011

Resit- Generic Conventions Of A Psychological Thriller

Normally psychological thrillers (until the often violent resolution) the conflict between the main characters is mental and emotional, rather than physical. 


Generic Conventions Include:


Sound:



With Psychological thrillers mainly use eerie music  to create suspense and keep the audience on edge.  After looking at sounds we will now use eerie sounds within our film opening.



Character:
 The characters can vary.
 Usually there is a  ‘antagonist’  within psychological thrillers, there could be a detective or police officer trying to uncover the crime that has been committed or stop the ‘antagonist’ from committing crimes.  After looking at the conventons of Characters we will now have a main protagonist and antagonist.


Camera angles and Shots:
Simple tracking movement to follow characters.
Close ups to show the emotions of characters fears are normally included to show the audience and therefore keep the audience up to date with how the character/ characters are feeling. 
 High angle shots to be able to see a wider viewing of the location and show the character is being intimated with whatever is happening within the scene or low angle shots could be used to make the 'antagonist' or 'protagonist' look powerful. After looking at camera angles and shots we will use certain shots in order to help create suspense and atmospheres within the piece for example we will need to use close ups to show emotion of the antagonist.
Lighting:
 Low key lighting is normally used to accompany the eerie mood of the music and to help create an atmosphere. we will then use low key lighting after looking at this convention to help build up our atmosphere.

Props:

Use of weapon like knives, guns, Blood and cuts and bruises if a killer is involved.




From looking at generic conventions for Psychological thrillers I have gained extra knowledge about what my film will need to include in order to be the best it can be. With what I have learnt I will then consider when planning and producing my film.

Resit- Timeline Titles

The Others (2001)


For one of the film openings from my chosen genre (psychological thriller) we were asked to write a timeline of titles for when each title appeared in the opening. This would allow us to gain an insight into when titles were introduced to the opening.
Titles Timeline
0.13-0.16 - a CRUISE/WAGNER PRODUCTIONS
                                         SOGECINE
                    LAS PRODUCCIONES DEL ESCORPION
                                          production
0.20-0.23 - Nicole KIDMAN
                                     in
0.26-0.30 - The OTHERS
0.33-0.35 - Fionulla FLANAGAN
0.37-0.39 - Christopher ECCLESTON
0.42-0.44 - Alakina MANN
                   James BENTLEY
0.46-0.48 - Eric SYKES
0.50-0.52 - Elaine CASSIDY
0.54-0.57 - Keith ALLEN
                   Renee ASHERSON
                   Michelle FAIRLEY
0.58-1.02 - casting
                   Jina JAY
                   Shaheen BAIG
1.03-1.06 - costume design
                   Sonia GRANDE
1.08-1.10 - sound
                   Ricardo STEINBERG
1.11-1.13 - production design
                   Benjamin FERNANDEZ
1.15-1.18 - director of photography
                   Jaier AGUIRRESAROBE A.E.C
1.19-1.24 - executive producers
                   Tom CRUISE
                   Paula WAGNER
1.25-1.29 - executive producers
                   Bob WEINSTEIN
                   Harvey WEINSTEIN
                   Rick SCHWARTZ
1.30-1.34 - produced by
                   Fernando BOVAIRA
                   Jose Luis CUERDA
                   Sunmin PARK
1.35-1.39 - written and directed by
                   Alejandro AMENABAR
(End of Titling)
1.44-1.47 - Jersey, the Channel Islands
                   1945
(Introduction to place and time - historical)

I found that the institutional titles came first introucing production and presenting with the main actor following. This increases box office appeal as it states the main actor which viewers would have an interest in. The main title of the film (The OTHERS) was introduced close to the beginning of the titles, followed by other actors casting, costume design, sound, production design, director of photography, executive producers and finishing with written and directed by.

This task gave me an idea of what titles we should try include in the opening to my groups psychological thriller and at what time they would appear so i am able to take this into account when filming and editing the piece in order to create a strong title sequence like the one in this film.
I think that showing the audience the location and time is a good idea as it gives them an idea of the setting and creates an atmosphere so I will take this into account when planning and producing my film opening.

I then compared these titles a different genre film I chose to analyse the opening and title sequence of mean girls(2004) which is a comedy.
Mean Girls (2004)


Titles Timeline
0.00-0.17 - Paramount institutional logo (animated)
0.18-0.20 - PARAMOUNT
                   PICTURES PRESENT
0.21-0.23 - A
                   LORNE
                   MICHAELS
                   PRODUCTION
0.24-0.26 - LINDSAY LOHAN
0.27-0.29 - MEAN GIRLS
-------------Film introduction - long pause of titles-------------
Titles begin to use a sliding and bouncing transistions - unusual & different 
1.41-1.44 - RACHEL McADAMS
1.46-1.48 - TIM MEADOWS
1.52-1.54 - AMY POEHLER
1.55-1.57 - ANA GASTEYER
2.02-2.04 - LACEY CHABERT
2.14-2.17 - LIZZY CAPLAN
                   DANIEL FRANZESE
2.27-2.30 - NEIL FLYNN
                   JONATHAN BENNETT
                   AMANDA SEYFRIED
2.38-2.41 - AND
                   TINA FEY
2.47-2.50 - CASTING BY
                   MARCI LIROFF
3.00-3.03 - BASED ON THE BOOK
                   "QUEEN BEES AND
                   WANNABES"
                   BY ROSALIND WISEMAN
3.06-3.09 - MUSIC SUPERVISORS
                   AMANDA SCHEER DEMME
                   BUCK DAMON
3.15-3.17 - MUSIC COMPOSED
                   AND CONDUCTED BY
                   ROLFE KENT
3.25-3.28 - CO-PRODUCER
                   LOUISE ROSNER
3.40-3.44 - COSTUME DESIGNER
                   MARY
                   JANE FORT
4.01-4.03 - EDITOR
                   WENDY
                   GREENEBRICMONT,
                                                  A.C.E
4.06-4.08 - PRODUCTION DESIGNER
                   CARY WHITE
4.18-4.21 - DIRECTOR OF PHOTOGRAPHY
                   DARYN OKADA, ASC
4.29-4.32 - EXECUTIVE PRODUCER
                   JILL MESSICK
4.33-4.36 - PRODUCED BY
                   LORNE MICHAELS
4.38-4.41 - SCREENPLAY BY
                   TINA FEY
4.53-4.56 - DIRECTED BY
                   MARK WATERS
END OF TITLES.

The titles in this opening are bold and colourful and stand out to the viewers and reflect the genre to give a  lively atmosphere. They are of a simple font but with the use of colour, this helps to introduce the film and actors.
There are many similarities and differences between the way in which the titles run and are presented in a psychological thriller and comedy genre.
Similarities
The titles run in a similar order:
  •  Production companys
  • Logos begin the title sequence with the main actors name following and then the title of the film which is the same in both openings.
  • Other actors names are then shown followed by crew members, casting, screenplay, music etc.
  • Both title sequences reflect the genre in which they are trying to convey and leave an open narrative.

Differences
  • The two fonts and colours are very different as they reflect different atmospheres 
  •  The titles in a psychological thriller are also closer together within the opening than a comedy and the timings of each title are closer together with no breaks where as a comedy is given a pause in titles in which it shows part of the opening in more detail. .

Tuesday 1 November 2011

Resit - Top ten Psychological Thrillers

Top 10 Thrillers - IMDb
1) I Am Number Four (2011)
Extraordinary teen John Smith is a fugitive on the run from ruthless enemies sent to destroy him. Changing his identity, moving from town to town with his guardian Henri , John is always the new kid with no ties to his past. In the small Ohio town he now calls home, John encounters unexpected, life-changing events-his first love , powerful new abilities and a connection to the others who share his incredible destiny.

2) Unknown (2011)
A biochemist and his dishy wife arrive in Berlin for a conference at which a scientist and his controversial Arab funder will announce breakthrough research. While his wife checks into the hotel, he grabs a cab to return to the airport for his briefcase, left at the curb. En route, an auto accident puts him in a coma, from which he awakes four days later without identification and with gaps in his memory. He goes to the hotel: his wife refuses to recognize him and another man has claimed his identity. With help from a nurse, the cab driver, a retired Stasi agent, and an academic friend, he tries to unravel what's going on. Is the answer in the briefcase?

3) The Next Three Days (2010)
Lara Brennan is arrested for murdering her boss with whom she had an argument. It seems she was seen leaving the scene of the crime and her fingerprints were on the murder weapon. Her husband, John would spend the next few years trying to get her released, but there's no evidence that negates the evidence against her. And when the strain of being separated from her family, especially her son, gets to her, John decides to break her out. So he does a lot of research to find a way.

4) Black Swan (2010)
Nina is a ballerina in a New York City ballet company whose life, like all those in her profession, is completely consumed with dance. She lives with her obsessive former ballerina mother Erica who exerts a suffocating control over her. When artistic director Thomas Leroy decides to replace prima ballerina Beth MacIntyre for the opening production of their new season, Swan Lake, Nina is his first choice. But Nina has competition: a new dancer, Lily, who impresses Leroy as well. Swan Lake requires a dancer who can play both the White Swan with innocence and grace, and the Black Swan, who represents guile and sensuality. Nina fits the White Swan role perfectly but Lily is the personification of the Black Swan. As the two young dancers expand their rivalry into a twisted friendship, Nina begins to get more in touch with her dark side - a recklessness that threatens to destroy her.

5) 127 Hours (2010)
127 Hours is the true story of mountain climber Aron Ralston's remarkable adventure to save himself after a fallen boulder crashes on his arm and traps him in an isolated canyon in Utah. Over the next five days Ralston examines his life and survives the elements to finally discover he has the courage and the wherewithal to extricate himself by any means necessary, scale a 65 foot wall and hike over eight miles before he can be rescued. Throughout his journey, Ralston recalls friends, lovers, family, and the two hikers he met before his accident. Will they be the last two people he ever had the chance to meet?

6) Drive Angry 3D (2011)
John Milton is up against the clock: Jonah King, the leader of a Satanic cult, has murdered Milton's daughter and kidnapped her baby. In three days, King and his followers will sacrifice the child at midnight. Milton picks up the trail in Oklahoma as well as rescuing a waitress named Piper from her brutal, two-timing fiancé. There are odd things about Milton: his driver's license is out of date, he has a very strange gun, and he's being pursued by a man in a suit who carries FBI ID and calls himself the Accountant. Piper, who's lived a life on the sidelines, has to piece things together on the fly as they close in on King.

7) The Mechanic (2011)
Assassin Arthur Bishop is an artist at his craft; he can make any job seem like natural causes or an accident if necessary. He has learned to stay detached. But when he is told to kill his friend, Harry, it's hard for him but he does it anyway. He makes it seem like a car jacking. Harry's son Steve so despondent over his father's death sets out to go after every carjacker he can find. But when he gets over his head, Arthur saves him. Arthur then decides to make Steve his apprentice. And while Steve is not as refined as Arthur, they continue with their collaboration. Arthur later learns that the circumstances surrounding Harry's hit is not what he was told.

8) Sanctum (2011)
The teenager Josh McGuire welcomes his friend Carl and his girlfriend Victoria in Papua, New Guinea, and they immediately fly to the Esa-ala Caves where Josh's father Frank McGuire is heading a cave diving expedition. Josh has a bitter relationship with his father and Carl is the sponsor of the expedition. When Frank and the diver Judes explore an unknown cave system with a restricted access, Judes has an accident and dies. When the team is preparing to hoist her body, there is a storm that blocks the exit from the cave. The group is trapped with few supplies and has to find a way out to the sea through the labyrinth of the cave system. But fear and panic are their greatest enemies.

9) Inception (2010)
Dom Cobb is able to use his unique skills to his advantage - he can enter people's minds through their dreams and thereby learn their secrets. He is a thief for hire but Japanese businessman Mr. Saito has a somewhat different proposition for him. He wants Cobb to enter the mind of Robert Fischer Jr., who is about to inherit his father's massive business empire, to plant a simple notion: to break-up his father's conglomerate and sell it off. In return, Saito will make it possible for Cobb to freely return to the US where he is currently wanted by the police. Cobb accepts and assembles his team with a plan to plant the idea deep in Fisher's mind by generating a series of dreams within dreams so that he eventually thinks he came up with the idea himself. As the intended deception grows ever more complex, Cobb has to deal with his own emotions and feelings of guilt, which are projecting themselves into the dreamspace. Cobb has to deal with the eventual question of what is real and what is only a dream.

10) The Game (1997)
Nicholas Van Orton is a very wealthy San Francisco banker, but he is an absolute loner, even spending his birthday alone. In the year of his 48th birthday (the age his father committed suicide) his brother Conrad, who has gone long ago and surrendered to addictions of all kinds, suddenly returns and gives Nicholas a card giving him entry to unusual entertainment provided by something called Consumer Recreation Services (CRS). Giving up to curiosity, Nicholas visits CRS and all kinds of weird and bad things start to happen to him.


Top Ten Psychological Thrillers:
1)The Unusal Suspects(1995)
Police investigating an exploded boat on a San Pedro pier discover 27 bodies and $91 million worth of drug money. The only survivors are a severely burned and very scared Hungarian terrorist and Verbal Kint, a crippled con-man. Reluctantly, Kint is pressured into explaining exactly what happened on the boat. His story begins six weeks earlier with five criminals being dragged in by New York police desperate for suspects on a hijacked truck and ends with the possible identification of a criminal mastermind.

2)The Butterfly Effect (2004)
Evan Treborn grows up in a small town with his single, working mother and his friends. He suffers from memory blackouts where he suddenly finds himself somewhere else, confused. Evan's friends and mother hardly believe him, thinking he makes it up just to get out of trouble. As Evan grows up he has fewer of these blackouts until he seems to have recovered. Since the age of seven he has written a diary of his blackout moments so he can remember what happens. One day at college he starts to read one of his old diaries, and suddenly a flashback hits him like a brick!

3)Inception(2010)
Dom Cobb is able to use his unique skills to his advantage - he can enter people's minds through their dreams and thereby learn their secrets. He is a thief for hire but Japanese businessman Mr. Saito has a somewhat different proposition for him. He wants Cobb to enter the mind of Robert Fischer Jr., who is about to inherit his father's massive business empire, to plant a simple notion: to break-up his father's conglomerate and sell it off. In return, Saito will make it possible for Cobb to freely return to the US where he is currently wanted by the police. Cobb accepts and assembles his team with a plan to plant the idea deep in Fisher's mind by generating a series of dreams within dreams so that he eventually thinks he came up with the idea himself. As the intended deception grows ever more complex, Cobb has to deal with his own emotions and feelings of guilt, which are projecting themselves into the dreamspace. Cobb has to deal with the eventual question of what is real and what is only a dream.

4) Identity (2003)
Strangers from all different walks of life: a limo driver escorting a fading television star, parents with a young son whose marriage is in crisis, a cop transporting a dangerous convict, a beautiful call girl, a couple of young newlyweds, and a nervous motel manager are caught up in a severe rainstorm, stuck at a motel in desolate Nevada. Soon they realize they may be at the motel for another reason when one by one, people start getting killed off. As tensions flare and fingers are pointed, they have to get to the bottom of why they're there. Meanwhile in an undisclosed location, a psychiatrist is trying to prove the innocence of a man accused of murder in an eleventh hour trial. How these two through-lines are related can only be found in Identity.

5)Shutter island (2010)
Federal Marshall Teddy Daniels and his new partner Chuck Aule travel to a government-run mental institution for the criminally insane on Shutter Island, near Boston, when there is a report that one of the prisoners has gone missing. Daniels has his own reasons for wanting to get to the island and carries baggage of his own. He is still traumatized from what he saw when his army unit liberated one of the Nazi concentration camps at the end of World War II and is still haunted by the more recent death in a fire of his wife and children. The head of the hospital, Dr. John Cawley, treats him alright but others give the agents a less than warm reception. Daniels particularly wants to find out what is going on in one of the wards, reserved for the most serious offenders. As Daniels begins to peal away the layers of deceit, it becomes obvious that not all is as it seems.

6)Fracture (2007)
Ted Crawford shoots his unfaithful wife, confesses to the police - orally and in writing - but then pleads not guilty and opts to defend himself in court. The young DA assigned to the case, Willy Beachum, has had a successful career with a 97% conviction rate. Beachum however is actually on his way to a lucrative position in a big private law firm, but his desire to win keeps him on the case. What ensues is a battle of wits between the two as Crawford systematically destroys his opponents case.

7)Memento (2000)
A memory inside a memory, Memento is a complicated head spinning adventure. Leonard is determined to avenge his wife's murder. However, unable to remember anything that happens day-to-day due to a condition he sustained, short term memory loss, he has to write himself note after note that still don't mean anything after he falls asleep. The film goes back in time to reveal each little bit of the puzzle as he tries to find out the person who killed his wife and makes the audience feel just as confused as he is. The narrative closely follows a phone call Pearce has in which he talks about Sammy Jankis a former client of his who he believed had the same condition. The film takes an unexpected twist as the two characters have a lot more in common than is initially put across.

8) Se7en (1995)
Taking place in a nameless city, Se7en follows the story of two homicide detectives tracking down a sadistic serial killer who chooses his victims according to the seven deadly sins. Brad Pitt stars as Detective David Mills, a hopeful but naive rookie who finds himself partnered with veteran Detective William Somerset. Together they trace the killers every step, witnessing the aftermath of his horrific crimes one by one as the victims pile up in rapid succession, all the while moving closer to a gruesome fate neither of them could have predicted.

9)Fight Club (1999)
A ticking-time-bomb insomniac and a slippery soap salesman channel primal male aggression into a shocking new form of therapy. Their concept catches on, with underground "fight clubs" forming in every town, until an eccentric gets in the way and ignites an out-of-control spiral toward oblivion.

10)The Game (1997)
Nicholas Van Orton is a very wealthy San Francisco banker, but he is an absolute loner, even spending his birthday alone. In the year of his 48th birthday (the age his father committed suicide) his brother Conrad, who has gone long ago and surrendered to addictions of all kinds, suddenly returns and gives Nicholas a card giving him entry to unusual entertainment provided by something called Consumer Recreation Services (CRS). Giving up to curiosity, Nicholas visits CRS and all kinds of weird and bad things start to happen to him.
Taken from IMDB website.

Resit- Extra Research into audiences and auidence members:

To ensure our film the best  success, I researched carefully into the audience that would be viewing our piece looking at demographic groupings, certification and audience theories in order to be able to create a target audience suitable for our genre.
There are 2 types of audience, mass and niche.
A mass audience is a large, broad audience group with a range of interest enjoying the mainstream films and media texts.
A niche audience is a closely defined audience with a particular and specific interest, being a much smaller and limited audience.
For this reason we have chosen to aim our film at a mass audience and make our film mainstream as this would create a bigger success for our film.

Institutions consider audience in catergorised groups better known as the demographic groups.
These groups range from A-E and each group highlights a different audience member.
A-top management, bankers, lawyers, doctors etc.
B-middle management, teachers, many 'creatives'
C1-office supervisors, junior managers, nurses, specialist clerical staff etc.
C2-skilled workers, tradesperson (white collar workers)
D-semi-skilled and unskilled manual workers (blue collar workers)
E-unemployed, students, pensioners, casual workers.

After looking into similar products, i found that most psychological thrillers were given ratings of 15 and 18 due to the horror conveyed within the genre. Black Swan (2010) was certified as a 15 film by the BBFC, British Board of Film Classification who are a self regulatory body made up of film industry representatives.
The obligations prevent material of the film breaking the law and protecting the audience from items that may cause harm including the language used.
From this we have decided to ceritfy our film as a 15 also as the horror in our film may be a mild threat and there may be frequent use of bad language within our film but our film will not be given an 18 rating as there will not be a lot of sexual activity portrayed within the storyline and any violence used will not dwell on the infliction of pain or injury.

Resit: History, meaning and information on Psychological Thriller